If you have any sort of natural ability at anything, you can set your own rules.

In the last hundred years we have witnessed the greatest top-down control of art since Medieval times.
And since the definition of fascism is top-down control, this period has been fascist. Modernism is Fascism. The hired writers have tried to flip that, selling it as progressive, but Modernism has never been the least bit progressive.
The mainstream now admits art has been under the control of the CIA since the 1940s, and I have proved it was controlled by the same entities long before that. And who was the CIA controlled by: the wealthiest families, who were controlling society for their own profit. Again, fascism, by definition.
These people weren’t controlling art to combat decadence, as we are told the Nazis were. No, just the opposite. They were controlling art to promote decadence, and they were promoting decadence and confusion in order to spread chaos and misery. Chaos, like war, is wildly profitable. This, too, is now admitted. See Project Chaos and Project Cointelpro, which have been partially declassified. These were, and are, heavily funded premier projects of CIA and FBI, explicitly created to foment and spread chaos. Modernism has been a central stone in that architecture from the beginning. Art has been used as a frontline tool in Project Chaos back to the 19th century. Articles like these at New York magazine are simply a continuation and acceleration of that project, and everyone involved are witting agents. They may or may not have actual cubicles at Langley, but they are on the payroll one way or the other. Continue reading “If you have any sort of natural ability at anything, you can set your own rules.”

Advertisements